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1. Insert facts
It’s nothing more than a basic article and a verb agreement: “Moses ate mufflers.” One story frame-blocks you enter points by thinking for 5 Ws: who, where, why what, when. Think specific and solid, but you also say it makes a difference. Compare “On the first day of winter, Moses fed his Malta woolly mammoth” to “On the last day of winter, Moses fed his Malta wool mammoth.” The second sentence adds importance to at least the second sentence. All in one word
2. Create images
It is no coincidence that the root of the “imagination” is the “image.”
Creativity is the understanding of people to see the world you are working to paint. Intelligent people like to use their creativity. Don’t insult their intelligence with too much explanation, but don’t misuse their intelligence with hunger.
Use active verbs and nouns and you will create images naturally. “Bizard bleeds.” Include one, two, or all five senses (sight, smell, touch, taste, and sound), and you will increase these images: “The screeching dumb is bold.”
Use phrases such as “Imagine it” or “Draw a picture of it” to indicate to your reader what you are going to paint the picture about.
3. Evoke emotion
If you follow these two steps you can naturally get in the mood for your sentence, but as a copywriter, you don’t want emotions to be thought of later. You plan and prepare your emotions carefully. You need to know what keeps your ideal customer warm at night. What’s so significant about a goat’s head? ”
4. Make Promises
But as a copywriter, you are not interested in raising people’s emotions just to make them feel good, otherwise, you would be a novelist or a screenwriter. Fun is not a copywriter’s bread and butter. To take work So, you need personage to see hope in your sentence. What are you offering to the reader in this sentence? What are the advantages to the user? If they obey you, what harm will they avoid? To impress the readers, in the opening letter of Dirty Little Secret, I wrote:
5. Practice
At first, it may feel mechanical, wood. It’s fine. The aim is to get to the position where you subconsciously connect these components so that they feel actual in the sentence and cannot be divided.